Mira todos los detalles ocultos en el adelanto de ‘Deadpool 2’.

Si eres un verdadero fan de Deadpool, seguramente viste el adelanto una y otra vez, y notaste algunos mensajes ocultos, pero ¿realmente los viste todos?

Royal Diner. El set de este adelanto fue grabado en uno de los sets de Fox, y ¿puedes ver algo conocido? Claro, el restaurante que frecuentan en la serie ‘Bones’.

La cabina de teléfono. Es un pájaro, es un avión, ¡es el trasero de Ryan Reynolds! Esto es un poco de burla a los viejos tiempos de Superman, cuando cambiaba su atuendo de Clark Kent a su traje de superhéroe; solo que nos damos cuenta que no es tan fácil ponerte un traje así de ajustado.

Logan. Sí, en el cine que está junto al callejón donde sucede el crimen casualmente están pasando ‘Logan’, ¿coincidencia? Obviamente no. Bueno, al menos Deaadpool tuvo algo de Wolverine, ¿no?

Cable. En la cabina está escrito: “Nathan Summers coming soon”. Como ya habíamos dicho, los directores de ‘Deadpool 2’ están buscando que Nathan Summers (Stranger Things) sea el próximo villano de la película, y esta fue quizá la mejor manera de pedirlo.

Hope. Esta palabra está escrita en el interior de la cabina, y pesamos que puede ser una referencia a uno de los mutantes del universo de Marvel, ¿será que están anunciando otro personaje de la película?

Stan Lee. En otras versiones del adelanto, se dice que Stan Lee cuenta con diferentes líneas como “¡Hey! ¿No eres Ryan Gosling?”

Poster de Logan. Otra referencia a la última película de ‘Wolverine’ ¿Será que sí aparecerá (de alguna extraña manera) en algún futuro junto a ‘Deadpool’?

El Viejo y el Mar. Sí, ese texto que aparece al final es una sinopsis del libro de Ernest Hemingway, escrita obviamente por ‘Deadpool’. Y si no alcanzaste a leerlo completo, aquí lo transcribimos para ti:

The Old Man and the Sea is the story of a fight between an elderly, accomplished fisherman, Santiago, and a really big fish. Like… HUGE. The story opens with Santiago suffering eighty-four days without catching a fish because he’s the unluckiest son-of-a-bitch on planet earth. Honestly, if you were in a boat for eighty-four days, it’d be hard to NOT catch a fish… even by accident. Santiago was so unlucky that his apprentice, Manolin, was forbidden by his Ma and Pa to fish with him. But as The Fresh Prince used to say, ‘Parents Just Don’t Understand’. So the boy visits Santiago’s shack anyway.
Ignoring the inherent risks of unsupervised playtime with an elderly man who talks to himself, Manolin helps out, moving Santiago’s fishing gear, making food and talking about baseball. Especially Joe DiMaggio; who used to bump fuzzies with Marilyn Monroe. The next day, Santiago tells Manolin that he’s going way out into the Gulf Stream. WAY OUT north of Cuba. Lady luck is returning!
On the eighty-fifth day of his crappy luck, Santiago drops his lines, and by noon, gets a bite from what feels like a big ass fish. He’s sure it’s a winner. He fights and fights and fights but can’t pull the monster in. Santiago’s leaky old boat is pulled by the fish for two days and nights as he holds on for dear life. Even though he’s bloody and beat, Santiago begins to appreciate this mighty adversary. He starts calling him “brother” or maybe even, “bro.” It’s sort of a love story if you really think about it. And like most romantic comedies, the reader pictures a delightful outfit changing montage, followed by the inevitable interspecies wedding.
But on the third day, Santiago is freakin’ EXHAUSTED, and decides he just wants the fish to do what he says and not always swim wherever it wants. So he stabs it. With a f*cking harpoon. It’s a mess. Super gross. Blood everywhere. Because, like many men his age, Santiago has difficulty expressing his emotions and fears with words — instead giving in to base desires — and imposing his gigantically terrible positions on any given subject through unblinking violence. Typical.
Anyway, he straps the marlin to the side of his skiff and hits the road home, ready to act like a total show off to everyone and probably gouge people on the price. But guess what? Pretty soon sharks begin to attack the bleeding marlin’s carcass, because we all know, life is a tragic opera and just when you think you’ve finally found something good and true, sharks come along and rip it all to f*cking shreds while dry-humping your dignity with their crazy-weird shark dicks. Sure, Santiago tries killing a few of them, but drops his harpoon because his hands are just as old as he is. By nighttime, the sharks have pretty much eaten the entire marlin.
Only a bleach-white skeleton remains, silently mocking him in the murky darkness. Santiago realizes he’s still unlucky. REALLY unlucky. (Duh!) He calls the sharks “dream killers”. Which isn’t really all that fair. I mean, the sharks were just doing their job and the marlin… Jesus, don’t even get me started on the marlin! It was just hanging out one day, minding it’s own business, maybe thinking about ways it could be a better provider for it’s family and WHAM! Harpoon in the brain. Who’s the “dream killer” now, f*ckface? The hypocrisy is pretty much boundless at this point.
Eventually Santiago makes it ashore. Leaving the bones of the marlin and the boat, he hobbles to his shack. He makes it home and crashes, like I said — he’s super tired. The next morning a group of fishermen gather around Santiago’s boat. One measures the skeleton and, holy sh*t-shingles! It’s over 18 feet! The head of the fish is given to Pedrico (strange that this is the first mention of him) and the other fishermen ask Manolin to send their glad tidings to the old man.
Manolin brings Santiago newspapers and coffee when he wakes and they decide to fish together again. Many years later, there’s a Red Lobster Restaurant in nearly every city in America, offering a casual dining experience and convenient parking.

No, no tiene nada de sentido que lo haya puesto, pero quizá nunca entenderemos el extraño sentido del humor de Ryan Reynolds.

Mira el adelanto de nuevo ¿notaste algo más?

Vía /Film